Nizami’s works became the model for subsequent romance literature

Nizami Ganjavi, one of the greatest romantic poets in Persian literature, was born in 1141 in Ganja, modern-day Azerbaijan and lived at a time of intense intellectual activity. Since he was not a court poet, his name does not appear in the records of the dynasties. A prominent poet acquainted with Arabic and Persian literature, he was also learned in mathematics, astronomy, medicine, botany, and the Qur’an.

Manuscript of Khamsa (Quintet) of Nizami, dated 1527 Iran (Image: Aga Khan Museum)
Manuscript of Khamsa (Quintet) of Nizami, dated 1527 Iran (Image: Aga Khan Museum)

Nizami composed qasidas and ghazals, only a small number of which have survived, but is best known for his five long narrative poems which have been preserved in a collection titled Khamsa (The Quintet). Written in masnavi style totalling 30,000 couplets, the Khamsa was a popular subject for lavish manuscripts. Three of the five works –  the romantic tale of Khusrau wa Shirin, the love story of Layla wa Majnun, and Haft Paykar (Seven Portraits) – were particularly inspirational for the generations of poets who followed. The other two works, Makhzanol-Asrar (The Storehouse of Mysteries) and Iskandarnama (The Book of Alexander) contain romantic  episodes but did not enter the canon of classic Persian love stories.

Layla and Majnun folio dated 1524-25 (Image: The Metropolitan Museum of Art)
Layla and Majnun folio dated 1524-25 (Image: The Metropolitan Museum of Art)

Khosrow wa Shirin is a fictional version of the story of the love of the Sassanian king Khosrow II (r. 590-628) for the Armenian princess Shirin who became his queen after a lengthy courtship strewn with difficulties including vanquishing his rival Farhad. Variants of the story were told under the title of Shirin and Farhad.

One of the best-known stories of Nizami’s Khamsa is that of Layla and Majnun, who met as school children and fell madly in love, but were forbidden to marry. Grief-stricken, Majnun retreated to the desert while Layla, in time, was married to a nobleman, but remained devoted to Majnun initiating several attempts to meet him. Eventually she died of a broken heart.

Nizami’s works in the Khamsa became the model for later poets of romance literature. In the late 1960s, Eric Clapton wrote his best-selling song Layla, inspired by the female beloved of Nizami’s story.* Azerbaijan’s celebrated composer Gara Garayev, wrote a ballet based on Nizami’s Haft Paykar.

References:
*Exhibition: Love and Devotion: From Persia and Beyond (Accessed September 2015)
Metropolitan Museum of Art (Accessed September 2015)
Nizami Ganjavi International Centre (Accessed September 2015)

Compiled by Nimira Dewji

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