Book Review: Masters and Masterpieces of Iranian Cinema
By Farouk Mitha
There is an uncanny resemblance between Kiarostami’s documentary and Hamid Dabashi’s dazzling new book, Masters and Masterpieces of Iranian Cinema. Dabashi’s book is a masterclass on Iranian cinema, guiding the reader on an equally labyrinthine journey which takes us behind the scenes of twelve films by Iranian directors.[1] Each chapter is focused on a single film, to which Dabashi brings a highly original and eclectic style of criticism, drawing on formal film analysis, scholarship on contemporary Iranian history, Persian poetry and prose, and autobiography.
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Farouk Mitha is Academic Course Director for the Secondary Teacher Education Programme at the Institute of Ismaili Studies in London, England, and author of Al-Ghazali and the Ismailis: A Debate on Reason and Authority in Medieval Islam.

Dr. Farouk Mitha’s association with the Institute of Ismaili Studies apex institution:
http://www.iis.ac.uk/view_person.asp?ID=55&type=auth
http://www.iis.ac.uk/view_article.asp?ContentID=109402
http://www.iis.ac.uk/view_article.asp?ContentID=105428
http://www.iis.ac.uk/view_article.asp?ContentID=101726
http://www.iis.ac.uk/view_article.asp?ContentID=101999
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