You look at the cover of Kenyan ethnographer and writer Sultan Somjee’s Bead Bai with a kind of reverence that is reserved for the Mona Lisa or works by the old masters.
The portrait of Sakina, a Khoja bride in wildest Kenya of the late 1930s or early 1940s, is no major artwork by any stretch of the imagination, however pumped with emotion you are.
Click here to read more at Daily Nation Kenya A Khoja bride’s journey in 1930s Kenya – News – nation.co.ke.
Earlier related: Who were these Bead Bais of East Africa who came to Canada as grandmothers?