Article appeared on pages 24-31 of the September/October 2009 print edition of Saudi Aramco World.
Link: http://www.saudiaramcoworld.com/issue/200905/the.tiles.of.infinity.htm
NPR Audio: http://www.npr.org/templates/story/story.php?storyId=7544360
Earlier related at Ismailimail:
- Islamic artists were 500 years ahead of Western scientists
- Medieval Islamic architecture presages 20th-century mathematics ā study supported in part by Harvards Aga Khan Program for Islamic Architecture
- Math Behind Ancient Islamic Tile Patterns Decoded ā Study supported in part by Harvards Aga Khan Program for Islamic Architecture
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I like this excerpt from the article in saudiaramcoworld:
“For all their tantalizing glimpses into medieval scientific knowledge, the designs of the Darb-i Imam and other Islamic buildings must also be understood in their religious context. Geometric patterns in Islamic architecture and ornamentation were used as much for spiritual as for artistic reasons. As Robert Irwin writes in his study of Islamic art, such patterns may have been viewed āas exteriorized representations of abstract, even mystical, thoughtāāaiming to inspire contemplation or to make a statement about the imponderable harmonies of a divinely ordered universe. Sufism in particular is closely linked to the practice of geometry, above all in the form of symmetries, as a way of giving physical expression to mystical thought.”
Reminds me of:
“The learning of mathematics was therefore linked to the Muslim religion and developing an understanding of the world, which was helped by knowledge of the Qurāan and vice-versa. The objective was to make students capable of formulating and understanding abstractions and master symbols. Moving from concrete to the abstract, from experience to formulation of ideas and images, and from reality to symbolisation; this preparation was considered essential for improving the understanding of the Universe and its Creator.”
http://gonashgo.blogspot.com/2008/01/319the-learning-of-mathematics-was.html
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