The Aga Khan Museum houses and exhibits some of the most important works of Islamic art. The collection incorporates miniatures and manuscripts brought together by Late Prince Sadruddin and Princess Catherine Aga Khan with artefacts and works of art collected by Mawlana Hazar Imam over the past several decades.
This cup in the Museum’s collection, dated 16th century Mughal India, was carved from a piece of pale green jade and adorned with a gold vegetable motif in which stems are interlaced with golden rosettes and palm leafs. During the 17th century, it was common for vessels carved from stone to be adorned with gold latticework and precious stones in the form of vegetable motifs; this art form was highly valued during the Mughal period (1527-1857).
The Mughal Emperor Jahangir (r.1605-27) possessed an extensive collection of such items and sponsored the production of similar luxury items. Some of these decorations resemble Western patterns due to the presence of European artisans working for the Mughal court. It is likely that this piece was created for someone in Europe.
Learn more about this item at http://www.akdn.org/museum/detail.asp?artifactid=1726
About the Mughals
The Mughals were a Muslim dynasty of Turkic-Mongol origin that ruled most of northern India from the early 16th to the mid-18th century, after which it continued to exist as a considerably reduced entity until the mid-19th century. The Mughals built a magnificent empire based on well-founded and enduring institutions, laying the foundations of a dynastic rule which inaugurated the most glorious period in the history of Islam. As patrons of art and architecture, the Mughals built the most magnificent monuments on the Indian landscape and produced some of the finest expressions of Islamic art. A constant mutual exchange between Muslims and non-Muslims resulted in the creation of a unique dimension in the arts. The close relationship between the artists and craftsmen in developing new designs was a feature of Mughal art that was facilitated by the development of workshops within the Imperial palaces.
References:
Philippa Vaughan“Indian Subcontinent: from Sultanate to Mughal Empire.” Islam: Art and Architecture Edited by Markus Hattstein and Peter Delius. Konemann. Cologne, 2000
Aga Khan Museum
Research by Nimira Dewji
Be the First to Know – Join Ismailimail
Get breaking news related to the Ismaili Imamat, the world wide Ismaili Muslim community and all their creativity, endeavors and successes.
Inspired? Share the story
Want to inspire? Send your stories to us at Ismailimail@gmail.com
Subscribe and join 19,000 + other individuals – Subscribe now!
Earlier & Related – Nimira Dewji at Ismailimail Archives:
- Nimira’s Blog: The Moon has been a timekeeper, an emblem of the divine, and an inspiration for poets
- Nimira’s Blog: Today in history [Oct 6]: Imam Sir Sultan Muhammad Shah Aga Khan III, President of the League of Nations, delivered the adjournment session
- Nimira’s Blog: Fatimid art incorporated the doctrine of Imamat
- Nimira’s Blog: Ginan themes include laments of the soul, supplications, and ethics
- Nimira’s Blog: At the age of 20, Imam Sultan Muhammad Shah was instrumental in the development of the vaccine for the bubonic plague